Another Tag is a simple font with 95 glyphs created by Wahyu Eka Prasetya
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
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The quick brown fox jumps over the lazy dog
The quick brown fox jumps over the lazy dog
The quick brown fox jumps over the lazy dog
The quick brown fox jumps over the lazy dog
The quick brown fox jumps over the lazy dog
The quick brown fox jumps over the lazy dog
The subject’s clothing is minimal but expressive—a vintage collared shirt, collar slightly askew, with one button left open to reveal a hint of collarbone. The fabric’s weave is visible, the threads catching light in a way that conveys tactility: you can almost feel the cotton under your fingertips. Around the neck, a simple pendant rests askew, an object that suggests history and private meaning without demanding explanation.
Emotion in the frame is subtle and layered. The subject’s gaze meets the camera with a mixture of reserve and invitation: wary, yes, but steady. There is an intelligence in the eyes, a patience that suggests stories folded inward—memories that aren’t offered but could be coaxed out. The overall mood is contemplative rather than confrontational, an intimate study of presence and poise.
Technically, the image balances classic portraiture with contemporary grit. The shallow depth of field isolates the subject crisply against the softened backdrop; tonal contrast is controlled, letting midtones breathe while highlights and shadows sculpt the face. The color grading favors earthy, analog warmth—no harsh saturation, no clinical coolness—giving the photograph a tactile, almost filmic quality.
A portrait that lingers like a half-remembered dream: Brima Tiffany -1- jpg frames a single figure in a way that feels both intimate and cinematic. The subject sits just off-center against a softly mottled backdrop of deep indigo and warm umber, colors that bleed into one another like watercolor pooling on wet paper. Light falls from the upper left in a narrow, deliberate beam—golden and cool at once—tracing the high planes of the face and igniting a single eye with a quiet, liquid brilliance.
Background elements are deliberately blurred, their soft edges hinting at an interior space—perhaps an artist’s studio or an old apartment—without anchoring the portrait to a specific place. This lends the image an air of timelessness: the viewer is invited to invent context. Small details punctuate the composition—a faint scuff on the chair arm, a stray thread on the shirt—each adding to a sense of lived-in authenticity.
Skin tones are rendered in layered warmth: honeyed midtones rimmed with rose on the cheeks, a subtle olive shadow beneath the jaw, and a dusting of freckles that map a constellation across the nose. The hair, cropped close along the temples and allowed to thicken in textured waves on top, catches the light in strands of espresso and bronze, suggesting movement even in stillness. A faint sheen on the lower lip reflects the image’s restrained sensuality; the mouth is relaxed, a line of attentive calm.
Brima Tiffany -1- jpg feels like an invitation: to pause, to look longer, and to imagine the life hinted at in the smallest details. It is a portrait that rewards attention, revealing new subtleties each time you return to it—an image that reads as both a finished statement and an unfinished conversation.
The subject’s clothing is minimal but expressive—a vintage collared shirt, collar slightly askew, with one button left open to reveal a hint of collarbone. The fabric’s weave is visible, the threads catching light in a way that conveys tactility: you can almost feel the cotton under your fingertips. Around the neck, a simple pendant rests askew, an object that suggests history and private meaning without demanding explanation.
Emotion in the frame is subtle and layered. The subject’s gaze meets the camera with a mixture of reserve and invitation: wary, yes, but steady. There is an intelligence in the eyes, a patience that suggests stories folded inward—memories that aren’t offered but could be coaxed out. The overall mood is contemplative rather than confrontational, an intimate study of presence and poise.
Technically, the image balances classic portraiture with contemporary grit. The shallow depth of field isolates the subject crisply against the softened backdrop; tonal contrast is controlled, letting midtones breathe while highlights and shadows sculpt the face. The color grading favors earthy, analog warmth—no harsh saturation, no clinical coolness—giving the photograph a tactile, almost filmic quality.
A portrait that lingers like a half-remembered dream: Brima Tiffany -1- jpg frames a single figure in a way that feels both intimate and cinematic. The subject sits just off-center against a softly mottled backdrop of deep indigo and warm umber, colors that bleed into one another like watercolor pooling on wet paper. Light falls from the upper left in a narrow, deliberate beam—golden and cool at once—tracing the high planes of the face and igniting a single eye with a quiet, liquid brilliance.
Background elements are deliberately blurred, their soft edges hinting at an interior space—perhaps an artist’s studio or an old apartment—without anchoring the portrait to a specific place. This lends the image an air of timelessness: the viewer is invited to invent context. Small details punctuate the composition—a faint scuff on the chair arm, a stray thread on the shirt—each adding to a sense of lived-in authenticity.
Skin tones are rendered in layered warmth: honeyed midtones rimmed with rose on the cheeks, a subtle olive shadow beneath the jaw, and a dusting of freckles that map a constellation across the nose. The hair, cropped close along the temples and allowed to thicken in textured waves on top, catches the light in strands of espresso and bronze, suggesting movement even in stillness. A faint sheen on the lower lip reflects the image’s restrained sensuality; the mouth is relaxed, a line of attentive calm.
Brima Tiffany -1- jpg feels like an invitation: to pause, to look longer, and to imagine the life hinted at in the smallest details. It is a portrait that rewards attention, revealing new subtleties each time you return to it—an image that reads as both a finished statement and an unfinished conversation.
We provide simple fonts in this website with 95 glyphs average, so it is make sense for us to give you the best price possible.
We accept credit card and Paypal for the checkout process. Apple Pay and Google Pay may be also available, depends on your device.
Once you have completed your purchase, you will get redirected to the download page. You will also get an email with the download access.
You will receive one ZIP file containing all font files. Once you extract it, you will see the fonts in 3 formats: OTF, TTF, and WOFF2.
Double click on the OTF or TTF file, then click "Install". If the installed font is not listed in your software, you probably need to restart the software. Brima Tiffany -1- jpg
When a font is installed, it can be used with any program that allows you to create text, for example Adobe Creative Cloud, Microsoft Office, etc.
Absolutely YES, using the desktop license you can create any physical or digital product for up to 1,000 print/sales/pcs. Then you can purchase the extended license when your business grows bigger.
You can embed the fonts using CSS @font-face if any license that allows website usage, for example Webfont License (for 1 domain) or Extended License (for unlimited domains).
If you use the fonts to create printable product templates (posters, business cards, logos, etc), you can rasterize the fonts in your template files. You are not allowed to include the font files directly. Emotion in the frame is subtle and layered
If you use the fonts for client projects, you are not allowed to share the font files to your clients. If your client needs the font files, please encourage them to purchase directly from this website.
No, you are not allowed to redistribute the font files in any form, including sharing to your friend, make it downloadable in your website, or even modifying the font and then share it. Please respect our work.
No, you are not allowed to modify and then distribute the font files. Modifying the font for client project is fine, but modifying the font and then distribute the font is not cool. Please respect our work.
Please contact us via email and we can prepare a custom bundle with custom discount, just for you. the mouth is relaxed
Please contact us via email and we can prepare a custom license for you who are looking for a tailored solution.
Feel free to contact us via email if you have any technical problem with the fonts that you have purchased.
If you are unhappy with your purchase for any reason, contact us via email within 15 days and we will refund you in full, no questions asked.